CATHERINE HAGGARTY

ABOUT THE ARTIST

Brooklyn-based artist Catherine Haggarty creates paintings and drawings that pay attention to domestic objects, spaces, and habits through pictural strategies that employ multiple perspectives. Personal objects and things like animals, sneakers, beds, floors, and drawings, appear in her work, linking her life to pictures. With complex compositions and vivid color palettes, these works consider the very function of images in our personal and public lives including how we perceive our environment, process images, and record information.

Catherine’s paintings and curatorial work have been reviewed by and featured in Bomb Magazine, Artnet, Hyperallergic, Art Forum, Two Coats of Paint, Brooklyn Magazine, The New York Times, Art Maaze Magazine, Art Spiel, Pep Talks for Artists, Sound and Vision Podcast and The Observer.

Solo & Two Person exhibitions include Untitled Miami, Lorin Gallery, LA, Geary Contemporary (NYC), Massey Klein Gallery (NYC), This Friday Next Friday (Brooklyn), Bloomsburg University (PA), and Look and Listen in Marseille France. Select group exhibitions include The PIT (LA), Badr El Jundi (Madrid, Spain), Mindy Solomon (Miami, FL), Andrew Rafcaz (Chicago, IL), Hesse Flatow (NYC), Mrs (Maspeth, NY) and McBride Contemporary in Montreal, Canada.

Catherine earned her M.F.A from Mason Gross, Rutgers University in 2011. She is the Founder, Owner, and Executive Director of The Canopy Program which is a one-year mentorship program within the NYC Crit Club (which Haggarty co-founded with artist Hilary Doyle in 2017). 

In the Spring of 2024, Catherine will be the Teiger Mentor for the Arts at Cornell AAP MFA and is currently also a Visiting Associate Professor at Pratt Institute.  Additional teaching experience includes Rutgers BFA, Hofstra University, The School of Visual Arts & The Fashion Institute of New York. 

about the solo exhibition

Stay the Course

Tuesday, February 6, 2024 – Friday, March 22, 2024
Philip J Steele Gallery on RMCAD’s campus
Gallery hours: Monday – Friday, 11 am – 4 pm
Curated by Gretchen Marie Schaefer

RMCAD is pleased to present Catherine Haggarty’s solo exhibition Stay the Course, featuring recent paintings and drawings in conversation with works created since 2014. Haggarty uses a range of media in her work including airbrush acrylic, oil paint, stencils, oil sticks, wax crayons, and graphite to create images with multiple perspectives of the artist’s life and artistic process. By exhibiting past and present artworks together, Stay the Course reveals the iterative and self-referential nature of Haggarty’s practice. Like a story within a story, or standing between two mirrors, images repeat and echo in other works. Materials that express the artist’s hand and images of personal items like cats, sneakers, drawings, and furniture, recursively appear in her work, linking her life to pictures. The artworks are about the work of making art, how that experience permeates her life, and how her life permeates her art. 

“Stay the course” was an often-used phrase by Haggarty’s late father encouraging the idea of trusting the process and one’s goals. In addition to being an homage to him, another repeating theme found in Haggarty’s work, the phrase also embodies Haggarty’s trust and dedication to her process. Trust that each drawing will lead to the next painting, each point of inspiration will lead to the next idea, despite a range of subjects. The dedication spurred from her training as a runner and former college basketball player evokes an athleticism that she applies to her studio practice, both mentally and sometimes in her subjects of sneakers. Haggarty’s diligence, attention, and love for working intertwine and fuel her life as an artist. This exhibition celebrates and confronts the practical experiences of sustaining and evolving an art practice.

ABOUT THE ARTIST TALK

A Flexible Framework

Tuesday, February 6, 2024
Mary Harris Auditorium
Haggarty’s artist talk titled, A Flexible Framework, corresponded with her solo exhibition and further explored the concepts of connecting dots and collaborating with a former self. She focused on various bodies of work from the last decade, illustrating how the non-linear momentum of her practice generates interrelated works across time. She described how using frameworks that embrace and elevate idiosyncratic personal themes resonates with a broader human interconnectedness.

Catherine Haggarty. A Monument to Work. acrylic on canvas. Courtesy of the artist.

Catherine Haggarty’s VASD Program artist talk, A Flexible Framework. February 6, 2024.

PRIVATE RMCAD events

STUDENT-LED Q+A SESSION

Wednesday, February 7, 2024

Student-Led Q + A Sessions are private, casual, in-person conversations open to RMCAD students, faculty, and staff. Guided by student voices, these discussions generate valuable professional advice for all students directly from the student perspective. Fine Arts student Sebastian Ramirez let the interview with Catherine Haggarty.

VASD Program Director, Gretchen Marie Schaefer, thanks student Sebastian Ramirez and artist Catherine Haggarty.

RMCAD students get insight into cultivating a sustainable creative practice at the Student-Led Q+A.

ONE-ON-ONES with CATHERINE HAGGARTY

Monday, February 5, 2024, and Wednesday, February 7, 2024

RMCAD students had the exciting opportunity to meet one-on-one and share their work with visiting artist Catherine Haggarty. 

Recommendation List

VASD Program visiting artists provide a recommendation list that gives insight into their work, practice, and research. See Catherine Haggarty’s list here.